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    金裕貞小說의 實相에 關한 硏究 : 自傳的 小說을 中心으로 = (The) study of real aspect in the novel of Kim Yoo-Jeong

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    https://www.riss.kr/link?id=T733593

    • 저자
    • 발행사항

      공주 : 公州師範大學校 敎育大學院, 1987

    • 학위논문사항

      학위논문(석사) -- 公州師範大學校 敎育大學院 , 國語敎育專攻 , 1987. 2

    • 발행연도

      1987

    • 작성언어

      한국어

    • 주제어
    • KDC

      813.6 판사항(3)

    • DDC

      895.733 판사항(19)

    • 발행국(도시)

      충청남도

    • 형태사항

      93 p. ; 27cm.

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    In korean modern novel history, the novels in 1930's show the pretty different aspect from 1920's not only in the study and free use of language but also in the world of the works.
    Kim Yoo-jeong is a novelist who lived in the middle of 1930's The important purpose of this paper is to verify the artistic and real aspect of his autobiographical novel and the real aspect of his style, humour and reality recognition. The result can be arrunged as follows.
    First Kim Yoo-Jeong expresses the esthetic effects of the irony well through style and tone in his autobiographical novels like in his other works. and he express the world of esthetic humour, especially creasts the character with sentences which use the local language freely and incrases the atmoshere. In a word, Kim Yoo-Jeong is good at making use of his experience for the subjct matters of the novels and shows himself objectively so his works are adirable ones of art which has genius.
    Second, the writing of Kim Yoo Jeong is unique ones. His writings have intrinsic value because they are just like Kim Yoo-Jeong and what they are lik Yoo-Jeong appears as a form called spoken language which seems to be saimd disdain fully. Thus we can find out the distinctions of Yoo-Jeong's literature in connection with not-intellectuall factocr.
    Third, Yoo-Jeong describes directly from his humorous obserbation how simple and stupid people change and are broken in the extreme situation under the japaness rule, so either he transform poverty into humour and at the same time lead it to the world of regret, or he satires contradiction and absurdity
    Fourth, in 1930's the colonial policy of the Japanese rule becomes severe more and more. japanese increases the economic plunder as well a political pressure to advance into chinese Thus the charactors of Kim Yoo-Jeong's novels are most tenant farmer and the poor under the Japanes rule who suffer serious poverty and they speak for the ignorant and poor in those days. What most of Koreans under the rule is this kind of character shows the soundness of writer spirit and the critical mind of Kim Yoo-Jeong.
    번역하기

    In korean modern novel history, the novels in 1930's show the pretty different aspect from 1920's not only in the study and free use of language but also in the world of the works. Kim Yoo-jeong is a novelist who lived in the middle of 1930's The imp...

    In korean modern novel history, the novels in 1930's show the pretty different aspect from 1920's not only in the study and free use of language but also in the world of the works.
    Kim Yoo-jeong is a novelist who lived in the middle of 1930's The important purpose of this paper is to verify the artistic and real aspect of his autobiographical novel and the real aspect of his style, humour and reality recognition. The result can be arrunged as follows.
    First Kim Yoo-Jeong expresses the esthetic effects of the irony well through style and tone in his autobiographical novels like in his other works. and he express the world of esthetic humour, especially creasts the character with sentences which use the local language freely and incrases the atmoshere. In a word, Kim Yoo-Jeong is good at making use of his experience for the subjct matters of the novels and shows himself objectively so his works are adirable ones of art which has genius.
    Second, the writing of Kim Yoo Jeong is unique ones. His writings have intrinsic value because they are just like Kim Yoo-Jeong and what they are lik Yoo-Jeong appears as a form called spoken language which seems to be saimd disdain fully. Thus we can find out the distinctions of Yoo-Jeong's literature in connection with not-intellectuall factocr.
    Third, Yoo-Jeong describes directly from his humorous obserbation how simple and stupid people change and are broken in the extreme situation under the japaness rule, so either he transform poverty into humour and at the same time lead it to the world of regret, or he satires contradiction and absurdity
    Fourth, in 1930's the colonial policy of the Japanese rule becomes severe more and more. japanese increases the economic plunder as well a political pressure to advance into chinese Thus the charactors of Kim Yoo-Jeong's novels are most tenant farmer and the poor under the Japanes rule who suffer serious poverty and they speak for the ignorant and poor in those days. What most of Koreans under the rule is this kind of character shows the soundness of writer spirit and the critical mind of Kim Yoo-Jeong.

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    목차 (Table of Contents)

    • 目次
    • I. 序論 = 1
    • II. 金裕貞의 生涯와 時代的 背景 = 8
    • 1. 生涯와 作品 = 8
    • 2. 時代的 背景과 文檀狀況 = 12
    • 目次
    • I. 序論 = 1
    • II. 金裕貞의 生涯와 時代的 背景 = 8
    • 1. 生涯와 作品 = 8
    • 2. 時代的 背景과 文檀狀況 = 12
    • III. 金裕貞의 作品世界 = 18
    • 1. 自傳的 小說의 藝術的 實相 = 18
    • 2. 文體의 實相 = 39
    • (1) 土俗語 = 41
    • (2) □說과 卑俗的 表現 = 44
    • (3) 譬喩的 表現 = 49
    • 3. 諧謔의 實相 = 53
    • (1) 恨과 諧謔 = 54
    • (2) 꿈과 諧謔 = 69
    • 4. 金裕貞의 現實認識과 그 實相 = 74
    • IV. 結論 = 86
    • 參考文獻 = 89
    • 英文抄錄 = 92
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