그레고리오 성가 선법이 재즈(Jazz)음악에 미친 영향|RISS 상세보기

다국어 초록 (Multilingual Abstract)

The Gregorian Chant receives much recognition as modal music in modern music nowadays in spite of many changes and development the advent of polyphonic music, the supplement of mode "La" and "Do", the importance of“Trias harmonica(=triad)” the establishment of 24 tonality music.
Miles Davis who developed "Miles Modes(=Mode Jazz)" had introduced the modes of Gregorian Chant to Jazz music in order to break the limit of complicated harmony structure. However, there would be more ultimate reason for that. That is, because he needed horizontal elements, namely, free, horizontal motion of music so keenly. According to O. Alain, who is french musician, “Music is a place where the vertical elements and horizontal elements are fighting each other constantly. The horizontal elements are the nature of melody which goes up and down freely and successively in small interval if it is possible by the Beeline's Law.” In other words, the vertical elements and the horizontal elements have to be used in music appropriately and harmoniously the word “harmony” has another mean as “accordance” And that's why the modes of Gregorian Chant are Re-rising again these days in spite of today's "The Flood of music" which has so various music genres and the mainstream of complicated harmony music.
Hence, musicians have to always take a serious view of Gregorian Chant which is the basis of harmony and recognize how great part of music that the Modal music achieved the part on the extension of tonality. It is necessary to generalize Gregorian Chant in order to more people are blessed with inspiring and positive aspects of it. The impedimental causes and right directions in this point of view are as follows.
First, the Gregorian Chant was general music which was made to be suitable to sing for everyone as the liturgical music. But it has misunderstood as the song which are sung only in some abbeys churches or collegium. This is not only the problem of recognition but also absence of opportunity to contact with it.
Therefore, institutes or religious groups where teach and learn Gregorian Chant for public have to be established so that more people may get more opportunities of learning
Second, Gregorian Chant is treated as past and gone music which is not related to modern music at all. However, it has been found not only in classic works of 18th ~19th century's composers, but also in many Jazz music pieces. Many jazz musicians are teaching jazz on the basis of Gregorian chant modes and revaluating it also.
Third, various ways of researches and new educational methods about Gregorian chant must be organized from new point of view.
It is said that Music is the 'harmony' between vertical and horizontal. It is natural flow of music history that Jazz music accepted the modes of Gregorian Chant, and the“harmony”between vertical and horizontal is the way to the natural music.

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목차 (Table of Contents)

Ⅰ. 서론 1
1. 연구의 필요성 및 목적 1
2. 연구의 내용 및 방법 3
3. 연구의 범위 4

Ⅰ. 서론 1
1. 연구의 필요성 및 목적 1
2. 연구의 내용 및 방법 3
3. 연구의 범위 4
Ⅱ. 본론 5
1. 그레고리오 성가 5
(1) 그레고리오 성가의 역사와 특징 5
(2) 그레고리오 성가 8선법 7
(3) 그레고리오 성가 선법의 발달 16
(4) 그레고리오 성가 선법의 발달과 재즈와의 관계 20
2. 재즈(Jazz) 21
(1) 재즈의 의미 21
(2) 재즈의 역사 및 종류 21
(3) 재즈의 특징적 요소 33
(4) 재즈의 음계(Scale) 36
(5) 재즈의 화음음계(Chord Scale) 49
3. 그레고리오 성가 선법과 모드재즈 와의 관계 54
(1) 선법의 중요성 54
(2) 공통점과 다른점 57
(3) 모드재즈(Mode Jazz)분석 58
4. 마일즈 데이비스의 모드 재즈 65
(1) 마일즈 데이비스의 생애 65
(2) 모드재즈기법 65
(3) Mode Jazz의 대표적인 曲분석 68
1) Miles Davis의 "So What" 68
2) Paul Desmond의 Take Five 70
3) So What과 Take Five 의 특징 72
5. 음악 교육적 적용 73
(1) 음악적 적용 가능성 73
(2) 음악적 적용 실제 74
1) 그레고리오 성가 선법 알기 쉬운 창법 74
2) 학교 종을 통한 선법 이해하기 76
3) 선법에 대한 종합적 이해 79
Ⅲ. 결론 81
참고 문헌 83

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