This study explores the creation process of vessels that embody new dimensions of color and behavior-inducing shapes through the combination of Fused Deposition Modeling (FDM) 3D printing technology and metal materials. I encountered challenges in fit...
This study explores the creation process of vessels that embody new dimensions of color and behavior-inducing shapes through the combination of Fused Deposition Modeling (FDM) 3D printing technology and metal materials. I encountered challenges in fitting various angles and curved surfaces while working with metal materials. To address these difficulties, I utilized 3D program (3D Rhino) to create surfaces where different shapes and forms naturally transition into each other. The research involved creating vessels by combining lids, handles, and other elements made of metal or produced through 3D printing with the main body of the object.
Primarily focusing on morphological exploration, the study ultilized the functional advantages of 3D programming to realize natural curved surfaces. Among the various elements of the work, lids and handles were specifically designed to induce user interaction, aligning with the concept of Affordance theory. This approach aimed to facilitate communication with the user. Consequently, a series of vessels were created, emphasizing elements like lids and handles that effectively induce user behavior.
Subsequently, the study delved into the finishing of the printed objects. The FDM 3D printing process involves layering molten plastic, available in 1.75mm or 2.85mm wire forms, along the X, Y, and Z axes, creating visible horizontal lines due to layering. To enhance the surface finish, natural lacquer, specifically Urushi lacquer, was chosen. Initial experiments focused on smoothing the surface and applying solid-color lacquer to fill gaps and experiment with color and texture representation. Later research exploited the layer lines of FDM 3D printing as a texture and applied the ‘Mayeon technique’ in Urushi lacquering. This involved multiple lacquer layers,
polished to blend seamlessly with the 3D printing lines, creating a harmonious effect.
In addition to this, experiments were conducted to overcome the limitations of low brightness and saturation inherent in traditional Urushi lacquer colors. These experiments enabled the production of works with unrestricted color expression through various color combinations. This study proposes a novel approach in the creative process and hopes to provoke contemplation on the significance of vessels and works of art.
keywords : Metal Structure, 3D Printing, Ottchil, FDM, Connection, Mayeon Technique
Student Number : 2021-20396