皇淸職貢圖 제작 경위와 조선 유입 연구|RISS 상세보기

다국어 초록 (Multilingual Abstract)

Huangqing Zhigong Tu is the picture of tributary countries and subordinated peoples during the Qianlong reign (1736-1795) of the Qing dynasty. It produced two versions, hand scrolls and wood-block printing type, from 1761 to 1805. Huangqing Zhigong Tu is consisted of figure images and their explanations. These images and explanations written by Manchu and Chinese described the prosperity during the Qing Dynasty, as well as the various customs of tributary countries and all ethnic minorities. Four hand scrolls copied by Xie Sui are good references for the original.
Joseon people are the first picture to appear in the Huangqing Zhigong Tu, and they depicted the people influenced by the Confucian culture. By comparison, the image of Joseon procession in Zhuyi Zhigong Tu by Qui Ying in Ming Dynasty described as uncivilized people.
Huangqing Zhigong Tu of wood-block printing type introduced to Joseon by tributary envoys. Whanyeong Chohyeong Gimun at the National Museum of Korea is a color painting album copied two sections of Huangqing Zhigong Tu. Its picture explanations offered trade relations and the distance between the foreign countries and Canton Macau allowed only for foreign trade zone at that time. Whanyeong Chohyeong Gimun is quite similar to the painting style of the export paintings of custom theme in Canton. It could be brought to Joseon by tributary envoys coming and going to Beijing, China.
The seal of Min's well-stocked library in Whanyeong Chohyeong Gimun proves that the work is one of Yeoheung Min's collections. The painter name Jin Jaehae written in its colophon is illogical, because Whanyeong Chohyeong Gimun based on Huangqing Zhigong Tu painted after Jin's death.

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참고문헌 (Reference)

1 정병모, "한국의 풍속화" 한길아트 44-45, 2000

2 "일성록"

3 "영조실록"

4 "승정원일기"

5 진준현, "숙종대 어진도사와 화가들" 한국대학박물관협회 46 : 115-, 1995

6 오세창, "근역서화징" 시공사 175-, 1996

7 "魂殿都監儀軌"

8 刘明倩, "貫通中西文化的橋梁-談維多利竝阿伯特博物院藏廣州外銷畵, in 18-19世紀羊城風物: 英國多利竝阿伯特博物院藏廣州外銷畵" 上海古籍出版社 2003

9 莊吉發, "謝遂 <職貢圖> 滿文圖說校注" 1989

10 馮明珠, "職貢圖－故宮十八世紀的臺灣原住民畫像考介" 北京故宮博物院 (277) : 2006

1 정병모, "한국의 풍속화" 한길아트 44-45, 2000

2 "일성록"

3 "영조실록"

4 "승정원일기"

5 진준현, "숙종대 어진도사와 화가들" 한국대학박물관협회 46 : 115-, 1995

6 오세창, "근역서화징" 시공사 175-, 1996

7 "魂殿都監儀軌"

9 莊吉發, "謝遂 <職貢圖> 滿文圖說校注" 1989

10 馮明珠, "職貢圖－故宮十八世紀的臺灣原住民畫像考介" 北京故宮博物院 (277) : 2006

11 "紀念郎世宁誕生三百周年特輯故宮博物院院刊, 淸宮廷畵家郎世寧年譜(1988年第2期)" 68-, 1988

12 "皇淸職貢圖, 提要(문연각사고전서본)"

13 정은주, "燕行使節의 西洋畵 인식과 寫眞術 유입 ― 北京天主堂을 중심으로 ―" 명청사학회 (30) : 157-199, 2008

14 李肯翊, "燃藜室記述別集 권5, 事大典故, 使臣; 魚叔權, 稗官雜記卷2"

15 "澳門記略下卷(續修四庫全書 676, 史部地理類)" 上海古籍出版社 1995

16 莫小也, "澳門與早期中國外銷畵, in 美術觀察" 中國藝術硏究院 104-, 2010

17 江瀅河, "淸代洋畵與廣州口岸" 中華書局 178-, 2006

18 Martyn Gregery, "淸代洋畵與廣州口岸" 中華書局 129-, 2006

19 聶崇正, "淸代宮廷繪畵" 商務印書館 279-, 1995

20 李紹明, "淸《職貢圖》所見綿陽藏羌習俗考" (10) : 2005

21 "海東繹史"

22 "奮武錄勳都監儀軌"

23 李裕元, "嘉梧藁略冊 권1, 樂府, 異域竹枝詞三十首"

24 畏冬, "嘉慶時期《皇淸職貢圖》的再次增補" 北京故宮博物院 (74) : 44-46, 1993

25 畏冬, "前揭書" (71) : 10-11, 1992

26 畏冬, "前揭書" (74) : 46-,

27 畏冬, "乾隆時期《皇淸職貢圖》的增補" 北京故宮博物院 (73) : 23-27, 1992

28 "乾隆十五年八月十一日, 大學士傅恒向策楞傳達上諭, 西藩, 玀玀男婦形狀, 竝衣飾服習, 分別繪圖注釋, in 宮中檔乾隆朝奏折第1輯" 臺北故宮博物院 91-, 1982

29 "中國國家博物館藏文物硏究叢書繪畵卷, 風俗畵" 上海古籍出版社 180-186, 2006

30 佟頴, "《皇淸職貢圖》硏究" 黑龍江大學 2010

31 畏冬, "<皇淸職貢圖>創製始末" 北京故宮博物院 (71) : 8-12, 1992

연월일	이력구분	이력상세
2027	평가예정	재인증평가 신청대상 (재인증)
2021-01-01	평가	등재학술지 유지 (재인증)
2018-01-01	평가	등재학술지 유지 (등재유지)
2015-01-01	평가	등재학술지 유지 (등재유지)
2011-01-01	평가	등재학술지 유지 (등재유지)
2009-01-01	평가	등재학술지 유지 (등재유지)
2007-01-01	평가	등재학술지 유지 (등재유지)
2004-01-01	평가	등재학술지 선정 (등재후보2차)
2003-01-01	평가	등재후보 1차 PASS (등재후보1차)
2001-07-01	평가	등재후보학술지 선정 (신규평가)

기준연도	WOS-KCI 통합IF(2년)	KCIF(2년)	KCIF(3년)
2016	1.76	1.76	1.35
KCIF(4년)	KCIF(5년)	중심성지수(3년)	즉시성지수
1.17	0.99	1.779	0.14

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皇淸職貢圖 제작 경위와 조선 유입 연구 = The Historical Background of Huangqing Zhigong Tu and Introduction to Joseon

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