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예술가와 과학기술 분야 전문가 간 협업 조직의 성과평가 지표에 관한 탐색적 연구
민지은 한국전시산업융합연구원 2023 한국과학예술융합학회 Vol.41 No.4
This paper aims to propose an indicator to evaluate the performance of collaboration between artists and experts in the field of science and technology that can serve as a basis for expanding public support for the convergence of art and science. To suggest the indicators, first, we discussed the areas of collaboration between artists and experts in science and technology according to their subjects and purposes. Second, we defined collaborating organizations between artists and science and technology experts from an organizational perspective, and proposed criteria for indicators that can serve as a basis for measuring creative collaboration performance. The performance of a collaborating organization with artists, and science and technology experts should be evaluated based on both the outputs and the collaborative process. Traditionally, the evaluation of creative outputs is assessed with novel and useful. On the other hand, there is no consensus on performance measures for processes that influence creative collaboration outputs. In the case of uncertain and interdependent contexts, such as those involved in the convergence of art, science, and technology, the extent to which individuals fulfil their roles during project execution affects organizational performance. The results of this study will contribute to expanding the field of interdisciplinary collaboration by providing a basis for supporting collaboration between arts and science and technology. On the other hand, this study serves as exploratory research that proposes criteria for performance indicators, and further research should be conducted to develop and validate the indicators in terms of their validity and reliability.
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유영소 ( Young-so Yoo ) 한국미학예술학회 2021 미학예술학연구 Vol.62 No.-
This treatise is on the collaboration for ecosystem between Helen Mayer Harrison and Newton Harrison, pioneers of ecological and environmental art. The Harrisons have become world-renowned for using art to tackle environmental problems on a global scale. They maintained separate careers until the end of the 1960s. Newton as an artist, and Helen as a sociologist as well as an educator. In 1970, they decided to put the two careers together and to do no work that did not include the environment. It was a lifetime artistic decision. Then Helen and Newton began their artistic collaboration that would last for the next half-century. The Harrisons are famous, but surprisingly little-known artists. This study comes from the basic question, “Who are the Harrisons?” This involves the following three questions: What kind of career have Helen and Newton each made? How did the two develop their collaboration? Why did they choose art for the ecosystem? Following the chronology, this essay examines the development process of their artistic collaboration and explores their motives for collaboration for the ecosystem. This will clearly reveal the Harrisons, who have made the collaboration itself a successful work of art on an existential level.
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무용과 과학기술을 융합한 그룹 E.A.T.에 관한 연구 -머스 커닝햄, 스티브 팩스톤, 트리샤 브라운의 작품을 중심으로-
조은숙,남선희 한국무용예술학회 2019 무용예술학연구 Vol.73 No.1
Dancing has now come to the fourth industrial revolution era where the ‘data about man and object is collected and utilized’. Increase of experimental art work of modern artists has created arts that cannot be included in previous category of art, and ‘interdisciplinary art’ has become an essential concept in contemporary art. E.A.T.(Experiments in Arts and Technology) founded in New York is a leading example of such experimental art work. Thus, this study aims to contemplate on history and characteristics of E.A.T., the interdisciplinary art group that pioneered the fusion of art and scientific technology, and analyze the art works of Merce Cunningham, Steve Paxton and Trisha Brown, the dancers who actively engaged in E.A.T. Through this, this study will be able to suggest the future direction for improvement by facing the past and present of art of dancing within the genre of interdisciplinary art.
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Music from Second Sound: How Advanced Physics Inspired Der Rufer for percussion quartet
Michael Edward Edgerton(마이클 에드워드 에저튼) 한국전자음악협회 2023 에밀레 Vol.21 No.-
This report will discuss how principles from the advanced physics of cryogenics influenced my composition Der Rufer for percussion quartet. In this paper I explain how I translated information and concepts from superfluid helium (He II) to music composition. Achieved using different methods ranging from purely intuitive to quasi-quantitative, I transferred the following eight principles from ultra-cold physics into organized sound, including: anisotropy, isotrophy, vortices, vortex rotation, bifurcations, mutual friction, turbulence past an obstacle, and second sound. Written for Professor Olaf Tzschoppe, director of the Bremen Percussion Quartet, this work is the first result of a planned long-term collaboration with J.G. Weisend II, a Deputy Head of Accelerator Projects at the European Spallation Source (E.S.S.).
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