
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
자유주제 : 김현승 시의 변모 양상 -기독교 예정론을 중심으로-
이상옥 ( Sang Ok Lee ) 한국현대문예비평학회 2013 한국문예비평연구 Vol.- No.41
Kim Hyun Sung`s poems in his fifties show the thematic characteristic of solitude. As a poet of Christian metaphysics, he locates himself in a very unique place in the history of Korean poems. He individualizes Christianity and that is an ecology and a way of thinking in his poems. This study deals with his skepticism on Christianity before and after his fifties. The varying patterns of his poems are studied based on the Christian supralapsarianism in the category of three periods after the high blood pressure struck him,Kim Hyun Sung denies God in his fifties whom he believed in his entire life until then. His poems express that well. Born to a church minister, he shows panorama of conflicts with God. The conflict between absolutism and indeterminism is still going on in the two thousand history of Christianity. The varying patterns of his poems are as follows. The first period shows that he accepts God`s absolutism in the conflict with his free will as a poet. He finds it hard to acknowledge God`s absolutism in his strong self-consciousness as a poet. Poems showing such characteristics are “Portrait,” “Platanus,” “Talking about Love,” “Tree and a Long Way,” and “I Will Just Live.”The second period shows that he gets away from God`s absolutism and finds his own way of free will. He becomes a master of himself in the existential solitude. Poems of such characteristics are “Title,” “Disease,” “The Taste of Poems,” “The Solid Solitude,” “The Absolute Solitude,” and “The End of Solitude.”The third period shows that he seems to be victorious in his pursuit of free will after his separation with God. However, the high blood pressure attacked him and made him confess his faith in God in the acceptance of God`s absolutism. Poems of such characteristics are “The Last Day on the Earth,” “In a Country Church,” “The Songs of Weapon,” “The Tree,” and “On the Easter Day.”Likewise, he shows denial and acceptance of God in his poems. His direct experience of supralapsarianism helped him incarnate his belief in God well in his poems. His place in the history of Korean poems is distinct in this respect. It is worthwhile to look into his poems in the light of theology. He made it an ecology in his poems to deal with ongoing conflict between absolutism and indeterminism.
이상옥 ( Sang Ok Lee ) 한국현대문예비평학회 2011 한국문예비평연구 Vol.- No.35
This thesis aims at analyzing two contemporary aspects of Korean poems, known as multipoem and dicapoem. These two novel trends represent the ways Korean poems take to surviving in the era of socal network by adopting strategies of utilizing multi-media languages. Chang Kyong-ki, a leader in the multipoem society, proclaimed the first declaration of multipoems in August, 1996, and continued helping the new attempt settle and stabilize itself by holding several multipoem movements and events, such as, Digital Manhe Festival, Multipoem Academy, Multipoem Contests, Multipoem Exhibitions, and the Multipoem Performance Festival. However, although the multipoem movement is significant in that it has utilized computers and calls for change, it is still hard to define multipoem as a unique new genre because it focuses more on the outward expansion by bringing in the image poems on the internet, flash multimedia poems, large size poems, framed poems, and porcelain ware poems. On the other hand, Lee Sang-ok published the first dica (digital camera) poem book titled The Way to Kosung in 2004. He has ever since helped his development further grow and settle down by opening a net cafe, holding dica poem contests and festivals, publishing a dicapoem periodical, and hosting meetings for dica poems researches. In the early 90s, dica poems remained a simple subject in the minor culture, but gradually found its way in the medium of digital environment. Dicapoem had a challenge to answer the general question of compatibility between the picture images and the text, despite the undeniable characteristics lying in utilizing the digital cameras in creating poems. Despite the several problems the multipoem and dicapoem have posed, it is true that they both attract the public interest in that the two similarly command multi-media languages, transcending the mere letters. The multipoem actively utilize the multi-media while the dicapoem accommodate the digital camera images, a kind of basic multi-media language, in conjunction with letters. In this respect, they may well be both considered a new poetic genre in the multimedia era. There is a strong potential for both multipoem and dicapoem to naturalize as an indispensible genre in the digital era, particularly if more progressive theorists participate and develop sophisticated poetics.
김대웅(Kim, Dae-woong),이상옥(Lee, Sang-ok) 한국어문학회 2016 語文學 Vol.0 No.133
This essay purposes to explain the consciousness on time in Lee Sang’s poems, focusing specifically on his poem, Strange Reversible Reaction. The argument will start from the obvious fact that the poet"s literature was based on the discovery of the material condition, called, the colony Gyeongsung. Through this discussion, what caused rejection and distrust for the time, which appear repeatedly in his literary texts, will be explained. Once, the modernist Lee Sang was dreaming of the perfect world of modernity. But the modern world he experienced was nothing but a cruel civilization with no vitality. As a result, he gave the death sentence to the world and tried to build up a new civilization. His literary texts will answer to the question, “Did the straight line kill the circle?”
국제중재법규상의 중재인선정계약에 따른 중재판정부의 중재권한에 관한 연구
이상옥(Sang-Ok Lee) 한국무역학회 2004 무역학회지 Vol.29 No.5
The parties are free to agree on the number of arbitrators. The role of the arbitrator is so significant in the arbitration system that its success or failure may depend on the credibility of the arbitrator. The arbitrator is endowed with not only the power of presiding arbitral procedures and of rendering arbitral awards, but also the right to remuneration and expense. The composition of the arbitral tribunal will be examined in the light of general practice. The administration of the arbitration also implies a methodology aimed at ensuring the smooth-flow and impartiality of arbitral tribunal. The UNCITRAL Model Law on International Commercial Arbitration identified a certain number of basic obligations and rights of an arbitrator, whatever the legal context of the arbitration in the cases. The obligation to be and remain independent and impartial; to conduct the procedure equitrably; the obligation of confidentiality; the right to reasonable remuneration and the right to expect honest cooperation from the parties and appropriate assistance from the arbitration institution. In practice, the party-appointed-arbitators in international commercial arbitration very often feel enormous pressure that comes from the expectation of the parties that nominated them. When a person is approached in connection with his possible appointment as an arbitrator, he shall disclose any circumstances likely to give rise to justifiable doubts as to his impartiality and independence. An arbitrator, from the time of his appointment and throughout the arbitral proceedings, shall without delay disclose any such circumstances to the parties unless they have already been informed of them by him. An arbitrator may be challenged only if circumstaces exist that give rise to justifiable doubts as to his impartiality and independence, or if he does not possess qualifications agreed to by the parties. A party may challenge an arbitrator appointed by him, or in whose appointment he has participated, only for reasons of which he becomes aware after the appointment has been made. The arbitration procedure should respect the rules of due process and treat each of the parties on an equal footing, otherwise the award will be weakened owing to infringement of the rights of the defence. The requirement means that the responsibility of sole arbitrator and the arbitral tribunal is becoming increasingly specific.
코로나19로 인한 일개 의과 대학의 비대면 의료 면담 실습수업 사례 분석
이상옥(Sang-ok Lee),김유리(Yoo-Ri Kim),김성수(Sung-Soo Kim) 한국콘텐츠학회 2022 한국콘텐츠학회논문지 Vol.22 No.1
본 연구는 코로나19 범유행 동안의 의료 면담 교육 지속을 위하여 화상 회의 방식의 긴급 비대면 수업(Emergency Remote Teaching:이하 ERT)을 도입한 일개 의과 대학의 사례를 보고하는 것이다. ERT 실습과 기존 면대면 실습과의 차이에 초점을 두고 표준화 환자 인터뷰를 통하여 수업 운영 경험을 기술하고 학생들의 학업성취도를 통계적으로 분석하여 교육 효과를 살펴보았다. 표준화 환자들은 면담 과정에서 원격 상대와 눈 맞춤을 하기 어려우며, 대화 시의 생동감과 재미가 다소 떨어지나, 대면 실습보다 대화 내용에 대한 집중도는 높은 느낌을 받았다는 의견을 내놓았다. 비대면 수업의 수강생들은 온라인으로 실시한 단원별 테스트에서 기존 면대면 수업 수강생과 비슷한 성적을 받았으나, 대면으로 치러진 기말고사에서는 유의하게 낮은 성적을 받았는데, 이러한 결과는 면대면 접촉과 비디오 매개 커뮤니케이션의 차이에서 기인한 것으로 해석된다. 본 연구의 사례가 비대면 의사-환자 커뮤니케이션의 중요성을 환기하고, 포스트 코로나 시대에 대비한 원격 의료 면담 훈련법 개발로 확장될 수 있기를 기대한다. The purpose of this study is to share and assess the experiences of the emergency remote teaching method adopted for the medical communication course at a medical school due to the COVID-19 pandemic. The standardized patients hired for this ‘Emergency Remote Teaching (hereafter ERT)’ course said that students’ interactions with them were less enthusiastic and less realistic, However, in the one-on-one virtual practice, the students seemed to be more focused than in the existing face to face practice. There were no differences in the unit practice test scores between ERT and the face-to-face course while in the face-to-face final exam, the test scores of FTF students were statistically higher than those of the ERT students, which might have resulted from the different methodologies of teaching. Further research on the virtual medical communication course is necessary to prepare medical students for the adoption of the telemedicine which could be accelerated in the near future.
이상옥(Lee, Sang-Ok) 한국일러스아트학회 2022 조형미디어학 Vol.25 No.4
주역 사상을 디자인 사상으로 한 중국 고대의 건축 디자인의 이론과 형상을 분석했다. 연구 목적과 배경은 주역과 중국 디자인, 그리고 우리가 시급히 연구할 과제라는 점이다. 연구 범위와 방법은 고대 전시기이고 방법은 주역과 디자인, 사상과 디자인, 그리고 고대 중국 디자인 사상이다. 주역 디자인의 첫 번째는 팔괘이다. 괘상을 기초로 한다. 두 번째는 음양오행이다. 건축 환경과 색채 등이다. 세 번째는 천인합일이다. 풍수 이론으로 구체화되었으며 지형, 수질, 토양, 방향과 기후 등이 고려할 요소이다. 팔괘 디자인 이론은 여덟 가지 자연 현상을 감옥과 전투에 응용된다. 형식은 샤먼 고랑서 별장, 복건성 석사와 광동성 팔괘촌을 들었다. 음양오행은 정원, 묘지, 고궁 등이 주요한 사례이다. 형식은 사합원, 상주 중의학대학과 영파의 두오미술관을 든다. 천인합일은 천하의 기운을 통한다는 의미가 디자인 사상이다. 형식은 황산 당월촌, 명효릉과 무당산 복진관을 든다. 다음 세 가지로 결론을 제시한다. 첫째, 주역 디자인은 그 사상이 팔괘, 음양오행 및 천인합일의 세 가지로 귀납하여 그 유형을 분석할 수 있다. 둘째, 고대 중국의 모든 건축은 개별, 집단 혹은 촌락 단위로 엄격히 디자인 사상으로 주역 사상을 인용한 것으로 보인다. 셋째, 주역은 우리의 소중한 유산으로 중국에서도 나름대로 발전하였다. 고대 중국 주역 디자인 연구에서 우리가 계시를 얻을 수 있다. An analysis of the theory and shape of ancient Chinese architectural design with the main idea as the design thought. The purpose and background of the study are the main characters and Chinese design, and that it is a task that we urgently need to study. The scope and method of the study are the ancient period, and the method is the Zhouyi and design, thought and design, and ancient Chinese design thought. The first design of the Zhouyi is the Bagua. It is based on the gwasang. The second is yinyang that are architectural environment and color. The third is the unity of the heavenly beings. It was embodied in the theory of feng shui, and topography, water quality, soil, direction and climate are factors to consider. Bagua design theory applies eight natural phenomena to prisons and battles. The main examples of Yin-Yang Five Elements are gardens, cemeteries, and palaces. The idea of unity in heaven is the meaning of passing through the energy of the world. The following three conclusions are presented. First, the design of the protagonist can be analyzed by inducing its ideas into three types: the eight trigrams, the yin and yang and five elements, and the unity of the heavenly beings. Second, all architectures in ancient China seem to have cited the ideas of Zhouyi as design ideas. Third, Zhouyi has developed in its own way in China as our precious heritage. We can get a revelation in the study of ancient Zhouyi design.