漢林선생의 문화유산에 대한 계승 노력과 인식

최영호 동아대학교 석당학술원 2022 석당논총 Vol.- No.82

This paper attempts to newly analyze into the Succession—efforts and perception of Dr. Jeong Su-Bong's cultural heritage & recorded heritage. he has served as the 2nd to 4th president of Dong-A(東亞) University from the June 1975 to the February 1989, has called himself-name to the HanLim. he was the son of Seokdang(石堂) who served as the first president of Dong-A University. The HanLim has generally been defined as a physical education expert & educational administrator. however, he has also continued to make practical efforts to newly develop the traditional culture & cultural heritage & recorded heritage of the Korean nation that had been built from prehistoric times to modern times. his collections are currently included in the treasures of Korea & the Busan Metropolitan City's cultural properties. he has established the Department of Professional Studies that can systematically learn about this cultural heritage & recorded heritage, has also established the Seokdang-Academic-Research-Institute of Korean- Culture(石堂傳統文化硏究院). in particular, he has provided the Seokdang- Museum of Dong-A University into a representative museum among the university museums of Korea, and has established the Seokdang-Hamjinjae (石堂函珍齋) of Dong-A University that have preserved the recorded heritage. this practical effort of the HanLim have creatively inherited the achievements of a cultural heritage & recorded heritage that the Seokdang has been practiced since the 1960s. for these efforts, he has been awarded the Order of Cultural Merit Eun-gwan(銀冠文化勳章) on the Culture Day of

한림(漢林) 정수봉(鄭樹鳳) 선생의 선현들의 말씀에 대한 인식

조해훈 동아대학교 석당학술원 2022 석당논총 Vol.- No.82

경남 남해에서 가장 명망이 높은 가계에서 출생한 한림 정수봉 전 동아대학교 총장은 가풍으로 어릴 적부터 서당에 다녔으며, 고전에 대한 지식이 상당하였다고 평가받았다. 경남중·고등학교를 졸업한 후 부친이 설립한 동아대 법률학과에 진학하여 1952년 졸업하였다. 이후 내무부에 들어가 혼란스런 정국에서 나라의 행정체계를 바로 세우기 위하여 헌신하다가 동아대학교 교수로 부임하였다. 교무처장과 부총장 등의 보직을 거쳐 동아대학교 제2대 총장에 취임하여 3·4대 총장과 재단 이사장을 역임하였다. 그런 한림 선생은 동아대학교의 입학식과 졸업식 등을 비롯해 외부 행사에서도 많은 연설을 하였다. 그 연설들에서 적절하게 사서오경이나 퇴계 이황의 문집 등에 있는 말씀들을 인용하여 가르침을 주었다. 단순히 사자성어를 한두 번 인용하는 데 그친 것이 아니라, 공식적인 자리에서든 사석에서든 선현들의 말씀이 들어있는 문장들을 통째로 인용하기도 하였다. 그는 오랫동안 동아대를 발전 성장시키는 데 혼신의 힘을 다 바쳤지만 내면적으로 평생 추구한 것은 수양을 통한 이른바 수기치인이었으며, 효를 매우 소중한 가치로 여겼다. 한림 선생은 평소에 과묵하기로 소문이 나 있었으나 스스로 판단해 학교발전에 도움이 되겠다고 생각이 되면 무서울 정도로 추진력을 발휘하였다. 세계 유수의 대학들을 견학하면서 그 대학의 역사와 문화, 행정시스템 등을 파악하였던 그는 동아대를 성장시키기 위해 온갖 반대와 어려움에도 불구하고 승학캠퍼스와 동아대병원을 밀어붙여 지었다. 그 결과 동아대는 한수이남 최고 사립대학교라는 명성을 얻었다. 또한 대학을 키우는 데는 체육활동이 중요하다는 사실을 일찍 간파하고 유망주들을 동아대로 데려와 각종 지원을 하며 훈련을 시킨 결과 우리나라 최초의 올림픽 금메달리스트인 양정모 선수를 비롯해 하형주·조재기·문대성 등 올림픽 메달리스트들을 배출하였다. 게다가 그는 동아대를 설립한 부친인 석당 정재환 선생의 뒤를 이어 우리나라의 전통문화를 계승하고 재정립 시키는데도 세상을 버리기 전까지 애를 썼다. 한림 선생이 선현들의 말씀들을 인용해 학생과 교수, 시민들에게 이야기 한 그 바탕에 깔려 있는 ‘인식’을 간단히 정리하자면 다음과 같다. 첫째, 그는 어릴 적부터 서당에 다니면서 천자문과 명심보감, 소학 등을 공부하여 군자와 소인의 차이, 공부의 목적과 방법, 수양과 처세 등 살면서 귀감이 될 내용들을 배웠다. 그래서 선현들의 말씀을 참조하여 살게 되면 제대로 된 삶을 영위할 수 있다고 생각한 것이다. 둘째, 한림 선생은 동아대학교 총장으로서, 그리고 여러 사회단체의 장으로서 연설을 하거나 이야기를 하면서 적절하게 선현들의 말씀을 대입시켜 설명함으로써 말하고자 하는 논점을 더욱 부각시킬 수 있었던 것이다. 셋째, 그가 특히 학생들을 대상으로 그 말씀들을 많이 인용하였다. 대학 시절의 수학 내용은 실제로 사회에 진출하여 학생들의 직업이나 대인관계 등에서 그대로 적용이 되므로, 선현들의 말씀 등을 대입시켜 설명을 함으로써 학생들이 보다 공감하도록 하였다. 그 역시 선현들의 말씀에서 벗어나지 않고, 그 말씀들이 일러주는 대로 평생을 살았던 것으로 평가받고 있다. Former Dong-A University President Hanlim(漢林) Jeong Soo-bong(鄭樹鳳), who was born in the most prestigious family in Namhae(南海), Gyeongsangnam-do(慶尙南道), has been to Seodang(書堂) since childhood due to his family tradition, and was evaluated as having considerable knowledge of classics. After graduating from Gyeongnam Middle and High School, he went to the Department of Law at Dong-A University established by his father and graduated in 1952. After that, he entered the Ministry of Home Affairs(內務部) and devoted himself to establishing the country's administrative system in a chaotic political situation, and was appointed as a professor at Dong-A University. After serving as the second president of Dong-A University, he served as the third and fourth president and the chairman of the foundation. Such a teacher Hanlim gave many speeches at external events, including the entrance ceremony and graduation ceremony of Dong-A University. In those speeches, he properly quoted the words in the writings of Sasa Ogyeong(四書五經) and Toegye(退溪) Yi Hwang(李滉) and taught them. It was not just a four-character idiom quote once or twice, but also a whole sentence containing the words of the ancestors, whether officially or privately. He devoted himself to the development and growth of Dong-A University for a long time, but what he pursued internally throughout his life was the so-called handicraft through training, and filial piety was considered very valuable. Teacher Hanlim was rumored to be quiet, but he showed frightening momentum when he judged himself and thought it would help the development of the school. Having grasped the university's history, culture, and administrative system while touring the world's leading universities, he pushed ahead with Seunghak Campus and Dong-A University Hospital despite all kinds of opposition and difficulties to grow Dong-A University. As a result, Dong-A University gained a reputation as the best private university on the south side of Han River. In addition, as a result of detecting the importance of sports activities early and bringing promising athletes to Dong-A University to provide various support and training, they produced Olympic medalists such as Yang Jung-mo, Korea's first Olympic gold medalist, Ha Hyung-joo, Cho Jae-ki, and Moon Dae-sung. In addition, he tried to inherit and re-establish Korea's traditional culture after his father, Seokdang Jeong Jae-hwan, who founded Dong-A University, until he abandoned the world. Citing the words of the ancestors, Hanlim briefly summarizes the “recognition” underlying the story to students, professors, and citizens as follows. First, while studying Seodang from an early age, he studied Cheonjamun (千字文), Myeongsimbogam (明心寶鑑), Sohak (小學), etc. to learn about the difference between the county and the small, the purpose and method of study, training and attitude. Second, as the president of Dong-A University and as the head of various social organizations, Hanlim was able to highlight the issue to be said by properly substituting and explaining the words of the ancestors. Third, he cited the words a lot, especially for students. Since the contents of mathematics in college actually entered society and were applied to students' jobs and interpersonal relationships, students were able to sympathize more by substituting and explaining the words of the ancestors. He, too, is considered to have lived his whole life as the words tell him without departing from the words of the ancestors.

동아대학교 함진재 소장 강화경판(江華京板) 고려대장경(高麗大藏經) 인경본의 자료적 가치와 활용방안

신태갑,최영호 동아대학교 석당학술원 2013 石堂論叢 Vol.0 No.57

This case study analyzed into the source-value and utilization-plan of the Ganghwa Woodblock-Koryo Tripitaka’s printing-material in the Hamjinjae of Dong-A University. this printing-date was printed from 1963 to 1968, was systematically investigated since the 1990s. hereby, this printing-date was utilized the source-material that researched on the historical and cultural reality of the Ganghwa Woodblock-Koryo Tripitaka. Nevertheless, this printing-date was some cases that the source- material was missing or unclear. therefore, the missing source- material can be compensated from these sources. the complementary-data is the digital material of Tripitaka-Koreana- institute(八萬大藏經硏究院) in the Haein(海印)-Temple, the printing- material of the Otani(大谷) University, the printing-material of the Woljeong(月精)-Temple. the supplemented source-material can be used as follows. it is the systematic study of the Ganghwa Woodblock-Koryo Tripitaka, the restoration of the Goryeo- Dynasty's Annals(高麗王朝實錄), the source material of the cultural content-development, the restoration of the damaged original woodblock. 이 글은 동아대학교 함진재 소장 강화경판 『고려대장경』 인경본에 대한 자료적 가치와 보완방법 및 보완자료의 활용방안을 진단하였다. 1960년대 확보된 함진재 소장의 강화경판 인경본은 1990년대부터 원천자료의 체계적인 조사․정리작업을 수행하면서 자료적 가치가 새롭게 인식되어 주목되었다. 1990년대부터 2000년대까지 해인사 소장 강화경판의 원천자료를 열람할 수 없었으므로, 함진재 소장의 인경본은 원천자료로 중요한 가치를 확보할 수 있었다. 더구나 1970년대 동국대학교에서 간행한 『고려대장경』 영인본 총48책에 비해, 보다 풍부한 자료를 확인할 수 있다. 좌․우 변란과 그 외곽에 새겨진 각수, 발원문 자료와 함께 ‘외장(外藏)’ 자료도 풍부하게 확인할 수 있었다. 1990년부터 2013년 현재까지 함진재 소장 인경본 자료가 연구자료로 활용되면서 상당한 연구성과를 축적하도 하였다. 우선, 강화경판의 역사․문화적 가치를 객관적으로 밝히는 원천자료로 활용되었다. 일제식민주의 학자들이 강화경판을 소위 초조대장경판의 복각판(復刻板)으로 파악한 문화적 정체성(停滯性) 등을 극복하는 원천자료로 활용하여 역사․문화적 객관성을 바로잡았다. 다음으로, 조성사업의 주체와 목적에 대한 역사 실체를 객관적으로 정립하는 자료로도 활용되었다. 일제식민주의 역사학자와 해방 이후 한국 연구자들이 강화경판의 조성주체․목적과 조성공간의 위치 및 참여자의 범위를 최씨무인정권과 연계시켜 축소․평가한 이해방식을 객관적으로 바로잡는 데 함진재 소장의 원천자료를 적극 활용하였다. 마지막으로, 다양한 내용을 새롭게 밝히는 원천자료로도 활용되었다. 그 결과, 대장․분사도감의 운영조직체계와 역할, 그 산하의 판각공간, 분사도감의 위치 등이 구체적으로 탐색되었고, 조성사업 참여자들의 다양한 출신성분과 그들의 현실인식 등도 새롭게 밝히게 되었다. 그러면서도 함진재 소장의 인경본은 1960년대 인출 당시 인경 전문가의 제한적 인식, 개별 경판의 마모나 훼손 등으로 원천자료가 누락되거나 불명확하게 인경된 경우도 있다. 특히 좌․우 변란의 밖이나 그 외곽 부분에 새겨진 각수, 발원문, 공방(工房) 자료의 상당수도 누락되어 있다. 따라서 누락된 원천자료는 해인사 팔만대장경연구원 소장의 디지털자료를 원천텍스트로 삼고, 우왕 7년(1381) 인출된 일본 오오타니(大谷)대학 소장본의 자료집, 조선 고종 2년(1865)에 인출된 월정사 소장 인경본의 사진자료 등을 교차적으로 활용하여 보완할 수 있다. 보완된 자료는 체계적인 연구와 함께 고려왕조실록의 복원, 문화․관광콘텐츠 개발의 원천소스, 마모․훼손된 원판의 복원, 원판과 후대 보각판의 진위여부 진단 등 다양한 영역에도 활용할 수 있다.

석당(石堂) 정재환(鄭在煥)선생의 문화유산·기록유산에 대한 계승 노력과 인식

최영호 ( Choy Young-ho ) 동아대학교 석당학술원 2017 석당논총 Vol.0 No.69

This paper attempts to newly analyze into the Succession―efforts and perception of Dr. Jeong Jae―Hwan's cultural heritage & recorded heritage. he has served as the first president of Dong-A(東亞) University from the 1950s to the 1970s, has called himself―name to the SeokDang(石堂). The SeokDang has been defined as a law professional & educator in the encyclopedias. However, he has already been evaluated as a lover of cultural heritage & recorded heritage by professional experts who has acted in the local community since the 1970s. because of, he had made the various efforts to preserve the cultural heritage & recorded heritage of the Korean nation that had been built from prehistoric times to modern times. he had continuously collected this heritage from the 1950s to the 1970s, had systematically preserved this heritage. in addition, he had creatively developed this heritage. his collections are currently included in the national treasures & treasures of Korea. The SeokDang has established the Department of History & Department of Korean Literature that can systematically learn about this heritage, has also established the GoJeon(古典) Research―Institute & the Korean culture Research―Institute that can research in depth. the two Research―Institute are the forerunner of the Seokdang―Academy. he has established the Museum(Seokdang Museum) & Library(Hamjinjae : 函珍齋) of Dong-A University that can systematically preserve this heritage, has invited a prominent expert to our university. as a result, the cultural & recorded heritage of Dong-A University's Library & Museum had become the prime scale in the 1960s. especially, he has supported the translation & annotation project of the Koryo-Dynasty's History (『高麗史』) that the nation should carry out. This effort of the SeokDang has grown from considerable insight & interest & perception about the Korean History & Culture. his cultural perception was in the creative succession and development of Korean History & Culture. because of this, he has already been evaluated as a lover of cultural & recorded heritage by professional experts of posterity.

동아대학교 함진재 소장 해인사 사간판 인경변상판화의 조사현황과 특징

박은경 ( Eun Kyung Park ) 동아대학교 석당학술원 2013 석당논총 Vol.0 No.57

Ganghwagyeongpan(江華京板, Ganghwa-Capital-Woodcut) or Goryeodaejanggyeongpan[高麗大藏經板, Woodcut of Tripitaka Koreana, generally referred to as Palmandaejang-gyeongpan(八萬大 藏經板, Woodcut of Eighty-Thousand Tripitaka Koreana)] housed in Haeinsa Temple Janggyeong Panjeon(藏經板殿, Storage Hall of Tripitaka Koreana) has gained a lot of attention from a long time ago, and researches have been conducted on them multilaterally. and Woodcut of the complete collection of Buddhist Sutras in Temple-published Edition(寺刊板) with Ganghwaguengpan, made in the mid-13th century, in there too. Eastern·EasternㆍWestern Saganpanjeon (東·西寺刊板殿, Eastern·Western storage Hall of temple-published Edition) in Haeinsa has many gyeongpans made from the mid-13th century till the Chosun Dynasty such as the books of Haeinsa recording the origin or source of Haeinsa, diverse Buddhistic ritual books and dharanis, and also all kinds of gyeongpanhwa(經板畵, Woodcut prints of a sutra). Although Saganpan gyeongpan gained less attention than Goryeo Daejanggyeongpan, some researchers did perform constant research on it and introduce the outline of its list. Woodcut of Buddhist Scriptures in Temple-published Edition(寺刊板) contains woodcut of Buddhist Scriptures consisting of aphorisms and also the precious Woodcut illustrations(變相版畵) as well. Some of the prominent materials of Woodcut illustrations have been known from early days designated as cultural properties; however, the whole picture of Woodcut illustrations in Temple-published Edition has not been figured out concretely yet. Woodcut print of Buddhist Scriptures was neglected from the research as the focus was on sutras as they had the priority, and besides, Woodcut of the complete collection of Buddhist Sutras in Temple-published Edition (寺刊板) could not get attention for its less value and significance than those of Goryeodaejanggyeong. In addition, there were very few places that maintained Ingyeongbon(印經本) in its original state other than the original copy of Janggyeongbon(藏經本) in Temple-published Edition of Haeinsa, and besides, it was hard to get a permission to read it. But Hamjinjae(函珍齋) of Dong-A University Seokdang Academy has transmitted the completion of Ingyeongbon in Temple-published Edition as well as Palmandaejang-gyeong, the Ganghwagyeongpa housed in Haeinsa. This Ingyeongbon is one of the total 13 copies (existing in the inside and outside of Korea) that were drawn out from Haeinsa from 1963 till 1968. In particular, those housed in Hamjinjae of Seokdang Academy include Goryeo Daejanggyeongpan and Ingyeongbon in Temple-published Edition as well securing the original copy of Illustraion of Vol.60 Avatamsaka Sutra(translated by Dongjin (東晋) Buddhabhadra, 418~420) which is omitted in other places and also the main copy of Illustraion of Vol.80 Avatamsaka Sutra(translated by Tang (唐) Sikasananda, 695~699), too. This article primarily investigates Haeinsa Goryeodaejanggyeong and Ingyeongbon in Temple-published Edition among the copies in Hamjinjae in order to figure out the cases and current status of Woodcut illustrations in Temple-published Edition. By the categories of themes, they can be classified into Avatamsaka Sutra`s Painting representing the Mahayana Sutras(大乘經典), Illustraion of Fo Shuo Yuxiu Shiwang Shengqi Jing(豫修十王生七經變相) which was known as a forgery in those days, the illustration of scripture collections such as Bumoeunjunggyeong(父母恩重經), the Gyeolindo(結印圖) of dharani-type Buddhistic scriptures related with the Five Great Mantras and Cheonsugyeong (千手經), pictures associated with Buddhistic rites and Yechamui (禮懺儀; ritual books), and also all kinds of Woodblock Printing corresponding to Sanpanjip(散板集) in Temple-published Edition.

『국역 고려사』 완간과 학술적 의의

박종기 ( Jong Ki Park ) 동아대학교 석당학술원 2012 석당논총 Vol.0 No.54

The Annotated Goryeosa(국역고려사) which took almost ten years by Donga University in Busan was published completely at 2011. Goryeosa(高麗史) is the one of Big Three History Book in Korea including Chosonwanjosillok(朝鮮王朝實錄; The Annals of Choson Dynasty) and Samgugsagi(三國史記; The Annals of Three Kingdom). The Annotated Goryeosa is composed of 30 volumes. There are two kinds of the annotated book about Goryeosa which was published. The one was published at 1962 to 1966 in north Korea, another one was published at 1965 to 1973 in south Korea. These annotated books composed of 11 volumes each. The Annotated Goryeosa of 2011 is divided into three parts, the original, the translation, the notes. It is very meaningful that this book was published in Busan area, not in Seoul where another Big Two Annotated History book was published. This book will be the standard book for the long time among the annotated books on the history of Goryeo dynasty. It is necessary to change this book into electronic publishing for the general public in the type of CD-ROM next time.

석당 정재환선생의 건학이념과 동아대 구덕캠퍼스 계획 - 구덕캠퍼스 건축물의 근대문화유산 가치 -

김기수 ( Kim Ki-soo ) 동아대학교 석당학술원 2017 석당논총 Vol.0 No.69

The Dong-A University is one of private comprehensive educational institutions in South Korea with rich history and tradition, and we celebrated the 70th year of the establishment of the Academy in 2016. The history of Dong-A University dates back to 1946 when JaeHwan Chung an eminent statesman of modern South Korea, founded “Dong-A” as a private academy on the site of the Busan. In 1951, he started established Guduck Campus in Busan, South Korea. The plan of Guduck Campus was applied to the School Spirit and Educational Philosophy, justice and truth and freedom, pursued by Jae-Hwan Jeong. This thesis is results summarizing the factors that JaeHwan Chung's School Spirit and Educational Philosophy have influenced the Guduck Campus plan. Also, I wanted to research the historical and Modern Cultural Heritage value of the building in Guduck Campus. Through the facility and building of Guduck Campus Founded in November 1946, I could have the opportunity to check the transition process of educational institutions in modern times. In particular, I was able to identify various materials to understand the architectural characteristics and the construction process in the central library(1957.12), the second student council(1957.12), and the museum(1957.2). In addition, it is confirmed that the School Spirit and Educational Philosophy are implemented in various ways. In particular, the Central Library building has historical value of the Modern Cultural Heritage.

동아시아 해항도시의 이문화 공간 형성과 변용 - 부산 초량동 ‘차이나타운’을 사례로

구지영 동아대학교 석당학술원 2011 石堂論叢 Vol.0 No.50

The study is intended to consider the case study of the ‘China Town’ in Choryang-dong, Busan in order to prove that the cross-cultural space of an East Asian seaport city has been structured and restructured in the specific power game(correlation) formed temporally and spatially and in the framework of the meaning. For this, the following three discussions are developed. Firstly, the features of Korean Chinese and the meaning of the study was considered by means of precedent studies. The establishment of their settlement, which was the matrix of today’s ‘China Town’, was different with other regions in the view that it was due to the expansion of Chinese settlement for a seaport city and the important point of transportation. Secondly, the study looks into the commonness and difference while arranging ‘China Town’ existing differently depending on the regions and eras. The Choryang ‘China Town’ under development is being transited from the declined origin type to tourism attraction type, which was also the procedure endowed as ‘Chinese Theme Park’ from a mixed space like the ‘China Towns’ in Japan and melted down in a mainstream. Thirdly, the appearance of the Choryang ‘China Town’ was considered by dividing into temporal and spatial frames. The place was originally located as the important point in the time of opening of the port, colonization and the Korean War but ousted outside as the centralized authority government was established. The place just existed as a ‘forgotten space’ as it was weeded out of the city development of Busan since 1980’s and maintained the foreignness by being affected by the international order between and among U.S., Russia and China. From 1990’s, the effect of globalization and the political and economic changes such as the diplomatic relation between South Korea and China made the place for the ‘China-like’. Also, it was found in the field survey that the interpretation and practices of each entity for the development of the ‘China Town’ were so various and the place identity continued to be structured and restructured at the point of conflict between the foresaid practices. 본 연구는 동아시아 해항도시의 이문화공간이 시공간적으로 형성된 특정한 권력관계와 의미의 틀 속에서 구성․재구성되어왔다는 것을 부산시 초량동 ‘차이나타운’을 사례로 고찰한 것이다. 이를 위해 본고에서는 다음의 논의를 전개하였다. 첫째, 선행연구의 정리를 통해 한국화교의 특징과 연구의의를 살펴보았다. 현재 부산 ‘차이나타운’의 모태가 되는 조계지는 교류의 거점인 해항도시에 대한 청조의 세력 확장으로 성립되었으며, 이것이 화교들의 이주를 촉진시키는 계기가 되었다는 것은 자연발생적인 경향이 강한 타 지역과는 상이하다. 둘째, ‘차이나타운’을 유형별로 분류하였다. 지금 개발이 진행 중인 초량 ‘차이나타운’은 쇠퇴한 유래형에서 관광지형으로 전환하는 중에 있다. 이것은 일본의 ‘차이나타운’처럼 주변화된 혼종공간이 ‘중화적인 테마파크’로 장소성을 부여받으며 주류사회로 편입되는 과정이기도 하다. 셋째, 초량 ‘차이나타운’의 모습을 시간적 틀과 공간적 틀로 나누어 고찰하였다. ‘청관거리’는 개항과 식민, 한국전쟁 시에 대외 교류의 거점으로 위치하다가, 강력한 중앙집권적 국민국가의 성립과 더불어 주변화된다. 이후 국제관계의 변동에 가장 민감한 영향을 받으면서, 1980년 이후의 부산 도시개발에서 도태되어 ‘잊혀진 공간’으로 존재했다. 하지만, 1990년대부터 경제의 지구화와 한중수교라는 정치경제적 변화로 다시금 이곳의 ‘중화적인 것’이 주목을 받는다. 본고에서는 개발과정에 대한 현지조사를 통해 ‘차이나타운’을 둘러싼 각 주체들의 해석과 실천이 매우 다양하다는 것과, 이 해석과 실천이 어긋나고 만나는 과정에서 이 장소는 끊임없이 구성, 재구성되고 있다는 것을 규명하였다.

동아대학교 중어중문학과 중국어 교육 연계방안

김자은 ( Ja Eun Kim ) 동아대학교 석당학술원 2014 석당논총 Vol.0 No.60

Dong-A University and Confucius Institute need to educate students to speak practical Chinese fluently through phased education program. Ultimately that program will train students to be the right people for both Korea and China, also lead them to get a job successfully. For that, It is necessary that the main agent of Chinese education must be harmonious among educational subject. We are going to suggest several ways to accomplish, such as the accurate prediction for students, the right course offering for the future. the right qualification of professor, the right lecture evaluation etc. Also they need to step out the new way of self-examination.

예술·체육의 경영철학과 한림(漢林) 정수봉의 화이부동(和而不同)

김승호,하형주 동아대학교 석당학술원 2022 석당논총 Vol.- No.82

Hanlim was an executive who fulfilled Dong-jwa-mun-do(同坐問道: a teacher and a student gathers in one place to answer questions in order to seek righteousness), the educational philosophy of the founder of Dong-A University, Seok-dang, in art and physical education. Instead of cultural industry or economic value, he targeted art and physical education as important things in creating university culture. It was a management philosophy that also considered social responsibilities and spirit of the times of art and physical education. This contemporary era, when these two features move toward to become cultural industry, symbolization of unity and harmony such as Hwa-yi-bu- dong(和而不同); the world of perception such as confronting the Dong-yi-bul-wha(同而不和: the scoundrel may speak the same yet cannot work harmoniously) world rises to surface. It allows us to look back that the management of art and physical education is not a tool for capital accumulation or competition, but rather in terms of the natural and original value of its existence. In an era where human existence is set as ransom and the purity of senses is set as sales price, Hwa-yi-bu-dong is not a four-character idiom for us, but an epistemological support for art and sports management. This study explores the art management of the House of Medicis, the sports management of Coubertin and the art and sports management of Hanlim under the Hwa-yi-bu-dong phenomenon. Therefore, we will focus on the relationship itself - the relationship between Medicis and Renaissance, Coubertin and the Olympics, and Hanlim and creation of university culture. Even if we conceptualize the harmony of the Renaissance, the sportsmanship of the Olympics, and the possibility of creating a university culture, it was that unity and harmony of body and mind appeared truthful and right in their emotion, leading those concepts to appear positively in our window of consciousness. If however, features regarded erroneous in their emotions appeared, the ransom or sales value that emerged today would have appeared in the window of consciousness. Renaissance art, the Olympic Games, and creation of university culture did not instantaneously appear and disappear in human consciousness, but penetrated continuous time. The House of Medici, Coubertin, and Hanlim all objectified art and physical education and had been realizing one’s self consciousness for a long time in management philosophy. Therefore, this study focuses on their correlation without separating subjective and objective; the relationship between Medici and Renaissance, Coubertin and the Olympics, and Hanlim and creation of university culture. While the House of Medici and Coubertin specified the range of Hwa-yi-bu-dong, that concept of Hanlim’s is in the state of ‘Entwurf/projet’ in art and physical education. He was an executive rightfully perceiving unity and harmony, which are in the state of ‘Geworfenheit/thrownness’ in cultural industrialism, and realized Dong-jwa-mun-do. As Hwa-yi-bu-dong in the management philosophy of arts and sports is categorized into unity and harmony, the three relationships mentioned are being embodied through phenomenological approach. Just as the combination of art and physical education embodied by Medici, Coubertin, and Hanlim with transcendental will is evaluated as self-actualization and management of philosophy with healthy rational reasoning, Hwa-yi-bu-dong should be interpreted while excluding a self-centered tendency, which is to see only what you want to see. 한림(漢林) 정수봉은 동아대학교의 설립자인 석당의 동좌문도(同坐問道) 즉 교육철학을 예술과 체육에서 실현한 경영자이다. 한림에게 있어 예술과 체육은 문화산업이나 경제가치가 아니라 대학문화창조를 구현하는데 있어 중심이자 근원이다. 예술과 체육의 사회적 책무와 시대정신도 고려한 경영철학이다. 예술과 체육이 문화산업으로 치닫는 오늘날 화합과 조화를 상징하는 화이부동(和而不同) 즉 동이불화(同而不和) 세계와 맞대응하는 군자와 같은 인식세계가 수면 위로 부상한다. 예술과 체육의 경영이 자본축적이나 경쟁의 도구가 아니라 본연의 존재가치라는 측면에서 돌아보게 한다. 인간의 존재가 몸값으로 그리고 감각의 순수성이 판매가격으로 책정되는 시대상황에서 화이부동은 이렇듯 우리에게 사자성어가 아니라 예술·체육경영의 본 모습을 들여다보는 인식론적 지지대이다. 이 연구는 메디치가(家)의 예술경영과 쿠베르탱의 체육경영 그리고 한림의 예술·체육경영을 화이부동의 맥락에서 탐구한다. 따라서 메디치가와 르네상스, 쿠베르탱과 올림픽, 한림과 대학문화창조의 관계 자체에 주목한다. 현재 우리가 르네상스의 조화미, 올림픽의 스포츠맨쉽 그리고 대학문화창조의 가능태를 개념화한다고 하더라도, 몸과 정신의 조화와 화합이 그들의 감성에 참되고 올바른 것으로 올라왔기 때문에 긍정적인 것으로 의식의 창에 나타난다. 그러나 만일 그들의 감성에 그르다고 느껴진 것으로 올라왔다면 두말할 필요 없이 오늘날 대두된 몸값이나 판매가치가 그대로 의식의 창에 나타났을 것이다. 르네상스예술과 올림픽 게임 그리고 대학문화창조는 인간의 의식에 순간적으로 나타났다가 사라지는 것이 아니라 지속적인 시간을 관통한다. 메디치가와 쿠베르탱 그리고 한림이 예술과 체육을 대상화하고 경영철학에서 오랜 기간 자신의 자아의식을 실현한다. 그렇기 때문에 이 연구에서는 주관과 객관을 따로 분리하지 않고 그것들의 상관관계인 메디치가와 르네상스, 쿠베르탱과 올림픽 그리고 한림과 대학문화창조의 관계성 즉 사태 자체에 주목한다. 메디치가와 쿠베르탱이 화이부동의 범주를 구체화한 반면에, 한림은 조화와 화합이라는 화이부동을 대학문화창조에 기투(Entwurf)한다. 그는 예술과 체육에 피투(Geworfenheit)된 과거의 역사성과 지역성을 올바르게 의식하고 동좌문도를 실현한 경영자다. 화이부동이 예술·체육의 경영철학에서 조화와 화합으로 범주화되면서 메디치가와 르네상스예술, 쿠베르탱과 올림픽 그리고 한림과 대학문화창조의 관계는 현상학적 접근방법으로 구체화된다. 메디치가와 쿠베르탱 그리고 한림이 초월적 의지로 구현한 예술과 체육의 결합이 자아실현이자 건강한 이성적 사유가 펼쳐진 경영철학으로 평가되어야 하듯이, 화이부동이란 불현듯 나타나거나 보고 싶은 것만 보는 자기중심적 경향을 배제한 의식으로 이해되어야 할 것이다.