셰익스피어 소네트의 상호텍스트성 연구 : 영상매체를 중심으로

조이경 조선대학교 2018 국내박사

셰익스피어의 작품들은 각 시대마다 대중의 취향에 맞는 공연과 영화로 각색되어져 왔으며 지리적으로는 영국과 미국을 벗어나, 보다 국제적인 제작 분위기가 형성되고 있다. 21세기에 이르러서는 현 시대의 사회적·문화적 이슈들을 반영하면서, 그의 텍스트들이 대중적 문화기법에 의해 소통의 도구로 발전하고 있다. 그런데, 셰익스피어의 희곡 작품들이 자주 각색되어 너무 익숙해진 나머지 또다시 새로운 버전으로 그의 작품을 접할 수 있는 것이 별로 남아있지 않다는 우려를 자아낼 수도 있다. 그러나 셰익스피어의 『소네트』(Sonnets)는 그의 희곡과 더불어 많은 사람들에게 널리 알려져 있는 시로서, 새로운 방식의 이미지를 탐구하는 공연매체의 제작자와 연출가에게, 소네트 154편은 다양한 영감을 주고 있다. 전체적으로 각각의 소네트에는 서로 다른 스타일을 담아내고 있는데, 이를테면 공포스러운 맥락의 어두운 주제가 있고, 거의 슬랩스틱에 가까울 정도의 코믹한 이미지도 있으며, 본능적인 느낌의 매우 관능적인 표현들도 있다. 이러한 내용은 시를 읽는 동안 강렬한 시각적 이미지에 빠져들게 하고, 영상물과 무대를 통해 서사적인 표현을 나타내게 하였다. 탈권위와 탈중심적으로 급속히 변화하고 있는 현대 사회의 문화적 환경은 문학 원전과 예술 작품에 대한 여러 의미 있는 상호텍스트적 해석과 접근을 할 만 한 가치를 부여해 준다. 셰익스피어의 소네트를 원전으로 새롭게 시도된 공연과 영화는 후대의 독자와 예술가들로 하여금 셰익스피어가 의도한 주제들이 어떻게 재현되고 변형되었는지를 구별하여 감상할 수 있게 해주고, 예술가의 코드로 옮겨진 작업을 관찰하여 소네트와 좀 더 폭넓은 문화적 상호텍스트성의 연구를 가능하게 한다. 셰익스피어 소네트가 함유하고 있는 내용과 함께 시적인 이미지들이 재창조되어 녹아들어간 공연무대와 영상매체들을 살펴봄으로써, 문학적 성과를 넘어서 시공간이 다른 문화의 장에서 펼쳐지는 소네트의 다양한 예술성과 새로운 역할을 조망하였다. 이러한 과정은 소네트와 공연·영상작품의 상호텍스트성과 문화 콘텐츠 보고(寶庫)로서의 소네트를 연구하는 과정이 될 것이며 소네트의 상호텍스트성을 파악하여 현대의 다양한 문화에 생산적인 기여를 하고 있음을 입증하는 것이다. Shakespeare’s sonnets have had a significant influence on other genres of art for about 400 years with their themes of innocent love and bisexual attraction, but only a part of them was quoted owing to the homophile aspects implicated in the work. Also, researchers have been most interested in the real person to whom the poetry was dedicated, but could not continue more discussion in depth because the information of the poet’s biographical fact was extremely inadequate. However, the films created based on the text of these poems refer to what has been treated negligently, which elucidates the existence of intertextuality. The second chapter aims to observe the idea of love in Shakespeare’s sonnets in the light of modern romance films. As Shakespeare argues in the poems, the real human love can come true merely by seeing the reality through the rational judgment on the contrary to the lust depending on the sense of sight or so, and the lovers should preserve youth and beauty ultimately by giving birth to their children through married life. Also, I learn another lesson that their sincere love begins when accepting what they are rather than what they are conventionally supposed to be. The third chapter illuminates the themes of sexual initiation overlooked so far by analyzing these sonnets from a new angle and discusses that they have the value to be utilized for the educational purpose through films. Shakespeare’s sonnets have been quoted partly in the adolescent films owing to the controversy over the poet’s homosexual aspect. However, this poetry has enough educational values through the sexual initiation. For the research method, the researcher observes the continuity and initiation context of this work mostly by examining the former part of the sonnets and then discovers that these sonnets can deliver correct values about the sexual issues with their Petrarchan romance and bisexual attraction by looking into their latter part. In conclusion, it is emphasized that Shakespeare’s sonnets, as well as his plays, are to be used for the coming-of-age films more. Even the classic work of poetry must be dramatized as a movie that cultivates adolescents’ creative and critical thinking when its dramatic continuity is acknowledged, moreover available as a more helpful educational tool to teachers. The fourth chapter aims to reconsider Shakespeare’s biographical facts related to the homophile aspect of his sonnets and present new ideas through the contents of the intertextuality of some films. As a method, I forecast new issues about this poetry and introduce current opinions of the narrator’s sexual tendency, reanalyzing them given the attributes of poetic genres and the biographical background. Next, I discuss the situations represented by the film intertextuality through the movies dramatizing and parodying the text. Conclusionally, there can be reasonable assumption regarding why the poet left home, why he did not move his family to London, whether the homosexual relationship is possible without a sexual act, whether a bisexual person’s action is antinomic, and what the inside story of emphasizing childbirth is. Moreover, this chapter diagnoses if it is possible that this poetry will be developed into an original text of film intertextuality. The fifth chapter, as an academic attempt of fusion and complex research between humanities and social science, reveals the Star Trek TV and film series heralded the America First idea of President Trump, who inaugurated in 2017, more than 20 years before. Star Trek has become an icon representing the modern American culture rather than a mere entertaining show, having produced 6 generation TV series and 13 films for 51 years from 1966 to current 2017. Interestingly, Shakespeare’s literature affected the works of the first and second generation entirely until 1994 regarding theme and quotation, but continued decreasing and nearly disappeared in those after the third generation. The first half of the 1990s, a turning point of this situation, saw the cessation of the cold war and the full-scale development of computer science and technology leading to the Fourth Industrial Revolution. Also, the zeitgeist of that time was globalism, that is, the thought that all the countries should accept the difference between each other and give priority to the world peace. However, the process of transition of the series of Star Trek did not say so. This chapter aims to discuss the organic relations between Shakespeare’s literature and Star Trek series based on The Sonnets that is characteristic of the social and ethical plurality in the light of the recent research that connects literature and social science. As a research method, firstly, I look into the contents where Shakespeare’s writing is quoted in the Star Trek series and argue that the plurality of The Sonnets corresponds to globalism by analyzing the text. Moreover, I observe the phenomenon of the gradual decrease of both the quotation of The Sonnets and globalism after exemplifying the international situation and the forerunner technologies of the Fourth Industrial Revolution before and after the middle of the 1990s. Besides, the conclusion expatiates and emphasizes the intertextuality, a result of the plurality of the works. These ethics of the poet’s that he wants to distinguish love from lust are interestingly emphasized even 400 years after his days, but not covered by many scholars. This thesis is expected to contribute to finding a way to produce educational films with the help of the connectivity of the sonnets. As to the expected effect, the scholars of fusion and complex research are likely to relearn that literary works and films function as a mirror fixed to the reality of the times.

古代 東洋 音樂敎育思想 硏究 : 孔子의 <樂> 思想을 中心으로

조이경 慶南大學校 敎育大學院 1992 국내석사

체험관광 동기에 따른 음식체험관광 상품의 기대도와 만족도에 관한 인식

조이경 세종대학교 관광대학원 2010 국내석사

People will explore every corner of the world and experience a variety of cultures in the 21st century; as a result the world economy will prosper around the tourism industry. People often want to try local foods when they visit a foreign place, and their experience with local food helps them meet local or traditional food of the place. A New kind of tourism that is designed to experience local eccentric food has started. The objective of this study is to analyze expectations before a travel and satisfaction after the travel by tourists’ motive and how the level of satisfaction influences overall evaluation of the tour. To this end, I selected specific types of tours whose main theme is local food and participated in the tours. The results are summarized as follows; Firstly, to find out participants’ expectation and satisfaction toward food tour program by its motives, I conducted t-test on preliminary analysis. Secondly, in verifying hypothesis, I carried out element analysis toward the motives and satisfaction to assess credential and relevance of them. Afterwards, using two-step cluster as factor analysis, I divided subjects into two groups. To identify characteristics of two groups, I conducted cross-analysis between demographic features and groups categorized by their motives. Thirdly, to verify the hypothesis that ‘there are differences in expectation toward the travel program depending on their motives’ I took t-test comparison and it turned out that there are certain levels of differences in the expectation in the two groups. Fourthly, to verify the hypothesis that ‘there are differences in satisfaction of the travel program depending on their motives’ I took t-test comparison and it turned out that there is no difference in satisfaction in the two groups. Fifthly, to verify the hypothesis that ‘there are differences in satisfaction and expectation of the travel program depending on their motives’ I looked into gap among the groups by comparing the average of dissatisfaction and took response sample t-test on expectation and satisfaction by each factor of the program. Sixthly, to verify the hypothesis that ‘the extent of satisfaction influences overall evaluation of the tour program’ I conducted Multiple Regression Analysis on satisfaction factor and the evaluation (repeat purchasing and intent to recommend to others) and the result says that the level of satisfaction affects the overall assessment. The study represents the following limitations and lessons. Depending on the motives, there are differences in preferred types of tour among the tourists so the tourism industry should develop customer-oriented travel program targeting specific segment. Through analysis of expectation-satisfaction or study on expectation and satisfaction by its motives, I was able to assess experience tour program, which provided me with snapshot on current status of national travel programs. I concluded that we need to develop new program that can supplement the current ones and help food travel program perceived as major type of tour by Korean people. The study, though, has been conducted targeting Seoul and metropolitan area residents and using short distance autumn food travel program to ChungCheong and Gangwon, two to three hours drive away from Seoul. In addition, even though there are myriad of variables that may affect overall evaluation of the program, the study confined itself to four variables, or satisfaction factors. It is therefore necessary more study to be conducted so as to overcome the above limitations.

장애인의 정보통신 이용 활성화 방안

조이경 한남대 지역개발대학원 2000 국내석사

베케트 드라마에 나타난 조형미술의 미학

조이경 조선대학교 대학원 2004 국내석사

This thesis analyzes aesthetics of figurative arts used in Samuel Beckett's works. Beckett's dramatic style tests the limits of artistic approaches that make the tie between art and reality absolutely. The images shrug off traditional approaches. Beckett's penchant to elude rational explication through art necessitates taking a new perspective in order to understand the verbal and visual significance. This insight centers on an interdisciplinary correlation that relates his drama to visual arts. Establishing many important visual associations between Beckett's dramatic images and those in the figurative arts, these themes include a rejection of Christian and pagan mythology and an acceptance and emphasis on an imageable form that transcends the physical and visible stage. Beckett's work, like cubist sculpture pieces, exhibits the imprecise contours and fluid spatial relations of modern sculpture. There exists simultaneously need, failure, and refusal. The image seeks its own validity. With Beckett's neo-romantic inversion of place and the individual's existence, one enters the realm of nothingness, the void, or death. Beckett's exploration is not nature and man, but man and his consciousness separated from the external world, of which nature is only a part. Beckett's dramatic writing incorporates the techniques and ideas of the surrealists: simplicity in style and image, focused and dominated forms, abstraction over particular, and a hallucinatory quality. Beckettian images are grounded in the revolutionary ideas of perception and consciousness of the early twentieth-century avant-garde visual arts. Cubism, dadaism, and surrealism herald Beckettian absurdist theatre. Although these poetic images confuse human sensibility, they contribute to drama's new language. Recognizing the influence of the figurative arts affords an important insight into Beckett's drama. This thesis examines his plays, critical writings, biography Additional research includes modrern paintings and sculptures.

사라루카스 작품에서의 페티시즘 표현연구

조이경 전남대학교 2022 국내석사

이 논문은 yBa 출신 여성 작가 사라 루카스(Sarah Lucas)의 작품에서 나타난 페티시즘 표현에 관한 연구이다. 사라 루카스는 원초적인 성적 이미지를 이용하여 관람객들에게 성적 환상을 일으킴과 동시에 언캐니와 그로테스크를 유발한다. 페티시를 주로 유발하는 오브제인 스타킹, 여성의 성기를 연상시키는 음식이나 가구 등을 이용하거나 가학성애적 자세와 분위기가 나타나는 이미지들을 통해 남성중심적 성 가치관을 전복시키고 성적 담론을 확장시켰다. 루카스는 자신을 비롯한 여성의 신체를 직접 성적 대상화시켜 남성에 의해 성적으로 소비되는 여성의 위치를 거부하려는 시도를 페티시즘적 표현을 통하여 표출했다. 또한 프로이트의 이론에서 등장한 남근을 가진 여성의 이미지를 차용하여 여성의 몸에 담배라는 남성적 오브제로 남근을 부여하여 전통적인 여성성을 전복시키고 남근중심주의를 비판했다. 더불어, 사회적으로 금기시 되었던 여성의 성에 대한 농담을 작품에 활용하여 수동적인 여성의 이미지를 파괴하거나 포르노그래피에서 등장하는 사도·마조히즘적 이미지를 통해 성적 담론을 확장시키고 성적 착취대상으로서의 여성 이미지를 이용하여 성역할의 전복을 꾀하는 작품을 제작하였다. 루카스는 성적 숭배 대상으로서의 페티시즘을 이용한 작품을 통해 사회적 메시지를 던지고 전통적인 성역할을 없애기 위하여 노력한 것을 알 수 있었다. 이 연구가 예술과 페티시즘의 관계성을 이해하고 페티시즘적 표현이 드러난 예술작품을 분석하는데 도움이 되기를 바라며, 이를 기반으로 페티시즘적 요소를 활용하여 사회비판적 작품을 제작하고 성 가치관을 확립하는 연구가 활발히 이어지길 기대한다. This study is a study on fetishism expression in the work of Sarah Lucas, a female artist from yBa. Sarah Lucas uses the original sexual image to create sexual fantasies among visitors and at the same time induce uncanny and grotesque. It overturned male-centered sexual values and expanded sexual discourse through the use of stockings, an object that mainly induces fetishism, food or furniture reminiscent of women's genitals, or images showing sadistic attitude and atmosphere. Lucas expressed his attempt to reject the position of women sexually consumed by men by directly sexualizing the body of women, including himself, through fetishistic expressions. In addition, by borrowing the image of a woman with a penis that appeared in Freud's theory, he gave a penis to the woman's body with a masculine object called tobacco, overthrowing traditional femininity and criticizing penis-centrism. It used jokes about women's sex, which were socially taboo, to destroy passive women's images, expand sexual discourse through apostolic and masochistic images appearing in pornography, and use female images as sexual exploitation targets to overthrow gender roles. Through works using fetishism as an object of sexual worship, it was found that Lucas threw social messages and tried to eliminate traditional gender roles. I hope that this study will help understand the relationship between art and fetishism and analyze artworks with fetishist expressions, and based on this, I hope that research to produce social critical works and establish sexual values will be actively conducted.