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- 저자 : 원영실 ( Young Sil Won ) (검색결과 6 건)
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원영실 ( Young Sil Won ) 세계음악학회 2011 음악과 문화 Vol.25 No.-
The new method of identification(so called the method of observation & recommendation) for the gifted in korean traditional and western music was applied to the gifted education in Korea. So the check-list for teachers of the gifted was involved in the 1st step of identification. But it emerged that many problems with relevant to validity of identification. The government requires the differentiated structure of gifted education. The valid discrimination tool is necessary for the arrangement of education policy and getting a national budget, supporting of positive psycho-social mood to the gifted. I have developed the observation scale for teachers of the gifted (OSTG) in korean traditional and western music that is one of scale for discrimination and identification. Furthermore I have verified the validity and reliability of OSTG. As a result of reliability analysis, internal consistency reliability of OSTG verified cronbach`s a=.604. In order to construct valid OSTG, a factor analysis was conducted with 50 items. As a result of factor analysis, I collected 31 items finally. The validity of OSTG will be supported after a confirmatory factor analysis will have conducted through follow-up research. I expect the input of OSTG to gifted educational fields, and rising diverse debates about the method of identification to the gifted in Korean traditional and Western music.
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원영실 仁川敎育大學校 1996 論文集 Vol.29 No.2
Kayakun-Sanjo is composed of various tonal-structure. Tonal-Structure means the combination of key and scale. That is to say, each of the tonal-structure has a key and a scale to itself. For that reason, Kayakum-Sanjo is certain to do modulation that changes the keys or the scales. To find out the principel of modulation in Kayakum-Sanko, tonal -structure of Jinyangjo movement in Sung, Kum-Lyun school was nalyzed especially in this paper. In Sung, Kum-Lyun school appear so amny keys, that is Ujochan, These tonal-structues are modulated by a standing rule, which is found out three tuypes. One is Byonchong(in this type the keys only change), another Fist, Byongchang is called when the keys to Otchang and vice versa. For example, it is that the modulation from Ujootchongkyemyonjo to Ujootchongkyemyonjo , from myonjo, from Ujootchongkyemyonjo to Ujootchongkyemyonjo , from Ujootchongkyemyonjo to Bichongkyemyonjo(B), or from Bichongkyemyonjo(B) to Ujootchongkyemyonjo. Second, Byonjo is called when the scales change from Pyongjo to Kyemyonjo in the same key, and vice versa. Nmely, it appears the modulation from Pyongjochonkyemyonjo to Pyongjochonkyemyonjo, and successively appears the modulation from Pyongjochonkyemyonjo to Pyongjochonkyemyonjo. Third, Byongchong-byonjo is called when the keys and the sclae schange. In this case, the keys step down to major 2nd interval or up to amjor 6th interval. For example, it is the moodulation from Ujootchongkyemyonjo to Pyongjochonkyemyonjo, or from Pyongjochonkyemyonjo to Ujootchongkyemyonjo.
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