린다 수 박의 역사소설의 특징과 한국계 미국인 작가로서의 정체성

박윤기 ( Yun Ki Park ) 한국현대영어영문학회 2012 현대영어영문학 Vol.56 No.2

As a Newbery winner who writes historical fictions, Linda Sue Park turns her attention to different time periods in Korean history. Unfortunately, she has been sometimes criticized for distorting Korean history and culture due to her incorrect knowledge about Korea. Some critics suggest that she, as a serious writer who writes historical novels of Korea, should be more deliberate in dealing with Korean history. However, her historical novels provide various cultural experiences for readers and give them an opportunity of understanding other cultural people. Furthermore, she always tries to investigate the universal feelings and emotions of human beings in the works. It may, therefore, be appropriate to regard her as a Korean-American writer who writes historical novels, not as a Korean writer who writes about Korean history. (PaiChai University)

제임스 조이스 작품에 나타난 물, 물의 언어, 그리고 여성

박윤기 ( Yun Ki Park ) 한국현대영어영문학회 2007 현대영어영문학 Vol.51 No.1

『나 누워 죽어갈 때』의 독백과 서술기법

박윤기 ( Yun Ki Park ) 한국현대영어영문학회 2008 현대영어영문학 Vol.52 No.3

제임스 조이스, 가톨릭교, 성, 그리고 출판

박윤기 ( Yun Ki Park ) 한국현대영어영문학회 2009 현대영어영문학 Vol.53 No.4

When Ulysses was published in 1922, Joyce had been widely considered as to derive inspiration from popular literary forms like the newspaper, the sentimental romance and pornography. I dare say that`s true. It, however, does not mean that he is a pornographic writer. On 6 December 1933 Judge Woolsey announced that Ulysses was not legally obscene and could, therefore, be admitted to the United States. As Woolsey had observed, although he had a lively interest in pornographic writing, Joyce himself had no intention of stirring the sexual impulses or leading to sexually impure and lustful thoughts. Joyce`s early religiosity, along with the sexual repression that pervaded Irish society, left him with a deeply ambivalent relationship to his own sexuality. He was at the same time highly sexed and highly repressed owing to his repressive Irish Catholic education by Jesuits. Joyce, however, had a belief that sexual desire was a natural thing of human being and a pivotal experience to become a complete artist. The aesthetics of obscenity in Joyce`s works, therefore, has much to do with his writing technique. (Pai Chai University)

「애너 리비아 플루라벨」에서의 여성과 여성화술의 특성

박윤기 ( Yun Ki Park ) 한국제임스조이스학회 2007 제임스조이스저널 Vol.13 No.1

ALP in Anna Livia Plurabelle of Finnegans Wake is the wife figure and also the river Liffey, which runs through the center of Dublin in Ireland. Two washerwomen wash clothes on the opposite sides of the Liffey and gossip about her. As they describe her, they are also describing the river. The life-giving stream of water in the river is the essence of life itself. The babbling, bubbling, and gossipy sound/speech of the washerwomen is the one of the flowing water itself in the river Liffey. Water and watery words in relation of woman are, therefore, dominant, prevailing, and recurrent in Anna Livia Plurabelle and become the major metaphor in the chapter. The watery words have relation to the women`s writing technique, which is very diffusive, changeable, and fluid, experimented in Joyce`s other works. The new writing technique reveals the hidden, repressed, and suppressed desires of all the humankind as well as those of women. It upturns what appear to be the normal patterns of English in both linguistic and textual structure and, as a result, created for the new generation the new writing possibility.

『망명자들』: 버싸의 미덕을 통해서 본 조이스의 긍정적 여성관

박윤기 ( Yun Ki Park ) 한국제임스조이스학회 2002 제임스조이스저널 Vol.8 No.2

The play Exiles has generally been considered as a male-oriented work. Clearly, the play is dominated by a male figure, Richard Rowan, who is Bertha`s husband and has male bonds. But in Exiles, as Bonnie Kime Scott suggests, a female protagonist Bertha provides a sense of female relationships and female community. She can be differentiated from her oppressive husband who has a pressing desire to possess his wife. Bertha, like Gretta in The Dead, is a representative of virtuous women. While Gretta is the first female that James Joyce represents as a positive character in his works, Bertha has a variety of positive interactions with characters of both sexes. Her virtue is emphasized again by her name. Bertha, as her name itself suggests, is the bright light which brings the surroundings, men or milieu, the light. Her naturalness, one of her many virtues, leads her to easy action. It allows Bertha to accept things in quietude and to speak openly while Robert Hand, who has loved her for a long time, fears to utter. Therefore, Bertha could be regarded as an embryo of feminist activities. And so Exiles is especially important in that it reveals the core of Joyce`s positive view of women. As this thesis suggests, I claim that Bertha is the most positive character that James Joyce has created and that Joyce himself has long been interested in women. As a result, Joyce is not a male-oriented writer or a misogynist but a true feminist who affirms equilibrium between the sexes.

여성주의 관점에서 읽는 제임스 조이스

박윤기 ( Yun Ki Park ) 한국영어영문학회 2005 영어 영문학 Vol.51 No.2

성담론과 몸의 정치학 : 『젊은 예술가의 초상』에 나타난 여성의 이미지와 역할

박윤기 ( Yun Ki Park ) 한국제임스조이스학회 2005 제임스조이스저널 Vol.11 No.2

「가슴 아픈 사건」에서의 사랑의 부재와 제임스 더피의 좌절

박윤기 ( Yun Ki Park ) 한국제임스조이스학회 2009 제임스조이스저널 Vol.15 No.2

One of James Joyce`s many alter egos, James Duffy who won`t love anyone except himself is a frustrated superman. As he is incapable of reciprocating the human affection Emily Sinico offers him, Duffy is rendered a figure of despair. A painful Case, Emily Sinico seems to offer him a chance to regain his lost hope and life`s un-enjoyed vitality. Duffy, however, fails to answer her offer of erotic love call. He is unable to regard her as a positive woman. Duffy in this episode can be said to have a human desire, sensuality, and love and the apple expresses his relation to them life`s feast. As we can see, however, the apple is over-ripe and forgotten under the lid of the desk. The over-ripe apple which is on the verge of decay represents Duffy`s corrupting his life. Gnawing the rectitude of his life, he feels that no one wanted him and he is really an excluded remainder, outcast and exile from the world of life. He is in a sense Narcissus who loves only himself. Although he wants to be a Nietzschean Ubermensch (Superman) by refusing the erotic love and being an angelical stature, he ironically becomes a frustrated superman in the love`s absence story by refusing the love.

예술가로서의 조이스와 가톨리시즘

박윤기 ( Yun Ki Park ) 한국제임스조이스학회 2010 제임스조이스저널 Vol.16 No.1

Was James Joyce a Catholic, or not? This question is not easy to answer because he had never expressed his position on the matter during his life. Joyce was taught to accept religious instruction and to fulfill the religious duties at Clongowes Wood College. He was sent to Belvedere College when he was 11 years old and after 2 years was elected director of the Sodality of the Blessed Virgin. Joyce was, so to speak, immersed in a deeply religious atmosphere in his early school life. Despite this, he remained an object of suspicion to his Jesuit teachers. As a result, he had lost his faith of his boyhood on Catholicism when he grew up. Another factor in Joyce`s loss of faith was the strong anti-clericalism of his father when the Irish Catholic clergy spoke out against Parnell. And the other factor that drew him further away from the Catholic Church was his inclination to be subject to his own impulse. He wanted sex, and he thought that it was an essential experience to conduct an experiment in living, as Stanislaus called it. And if he wanted to become a complete artist he had to complete his experience. By this time his faith was seriously in crisis. By rejecting the Church, he was free to develop a spirituality that was essence for an experienced artist. Joyce`s mood of religious conviction, in short, gave way to an increasing enthusiasm for modern literature. Though he had maintained an interest in the Church`s liturgy in his life, Joyce was not a faithful member of Catholic Church.